Five years after the last album bubble machine follows Krazy's Vinyl Release In boots. FNot normally a longplayer, but still a smalls Album, that connects great distances - zultimately-biographical, contextual, musical.
Street and showbiz experiences, insights and reflections condensed into songs of a peculiar career between the pedestrian zone and the theater stage. A psychoanalysis of wearing boots. A celebration of mourning and life in hymn-like harmony. A sharply rhymed protest against the attribution and determination of identity, against false expectations of person and program. Krazy's typical poetic explorations of figures of speech, concepts, and their applicability in changing settings.
In Scene set songs and singer of equal two collegial Producers:
Danny Dziuk, who has already bubble machine instrumental put into action, this divideslittle- the role with Karl Neukauf, who interprets 3 of 7 tracks with his repertoire of sounds and references. Overall diverse are instrumentation and designdiced Song-Mmaterials: Rumbling drums, rough percussion, Elektrogitarrenthunderstorm and organs, jazz elements, floating atmospheres, elegiac piano and wind sections, but also dry solo unplugged -Presentations and a remix: All side by side on a wild little album that does not fit into a genre, but could therefore spread joy in the insider tip niche.
From coming and going to staying: a state of affairs, a retrospective, a retrospective. One songster, two producers, no genre. New songs that draw on old stories, old songs in new versions. In magnificent soundscapes, solo on stage, in a floating remix in between: various forms of substance. Ambiguous, like the path sung about. From the pedestrian zone to the stage to the vinyl record. On a few reliable lines. Barefoot and in boots.
A
01 Coming and going
02 Ambivalent
03 In Boots
B
01 Stay
02 To everything
03 Stay (Remix)
04 Sing along